Waverley Cemetery Panorama

Stone tombs
Looking out
Over an endless ocean:
They still remember

Took this panorama looking out across Waverley Cemetery and the ocean during the Bondi to Bronte beach walk we did last week. It’s a very peaceful spot and one of my favourites along the entire walk; the view is spectacular and I often like to stop there for a few minutes to think and enjoy the peace and quiet.

I know a lot of people find cemeteries quite eerie places but I’ve always found them interesting, particularly as subjects for photography and my writing. As a child we lived next to the cemetery at St. Jude’s Church while my parents worked there as vergers and I remember thinking about all the tombs and how sometimes they almost seemed like trees, listening silently to the world go by. I’m often reminded of that when walking past Waverley Cemetery as well, with all the old tombs looking out across the ocean, and that’s what inspired the haiku.

You can click on the photo to make it larger to see it in more detail as well.

Photo and haiku © CJ Levinson 2012

Bronte Beach Panorama

Walking across
Ancient shores,
Thinking of a time when
This land was free

Went for a walk with the wonderful @AlexandraRobin3 on Sunday and took this shot looking across Bronte Beach around midday, just before the beach started to fill up for the day. It was a beautiful day and we had a lot of fun taking photos, although we got badly sunburnt unfortunately – think it’s worth it though when you get shots like this.

Bronte’s one of my favourite beaches in Sydney; I like Coogee and Bondi too but Bronte has a different, more relaxed feel and it’s a great place to spend the day. If you ever visit Sydney, I highly recommend doing the Bondi to Bronte beach walk. It takes in most of Sydney’s most famous beaches and has beautiful views.

The finished photo is actually a panorama consisting of four separate photos which I combined in Photoshop Elements to give the elongated effect. I took it with my Canon 7D but most cameras (even phones) can do it if you like the effect – you just need to remember to keep your photos level and let them overlap enough so that you can join them together in something like AutoStitch (free) later.

The haiku was inspired by a feeling I had later in the day, when I was sitting with Alex and looking out at the ocean, thinking about what it must have looked like 250 years ago to the original Aboriginal landowners, before the intervention of Europeans. There’s a lot I’m proud of about modern Australia but I often feel sad about the amount we have lost as well and particularly how we have treated the first Australians… I couldn’t help but think of that while I sat there, watching the waves crashing against the sand, and so I guess that found its way into the haiku as well.

You can click on the photo to make it larger as well if you’d like to see it in more detail.

Photo and haiku © CJ Levinson 2012

Outside the Coach and Horses


Bright lights
Busy streets

Stretching without end:

Will they lead me home to you?

Looking across at the Coach and Horses Hotel in Randwick. The Coach and Horses is about five minutes from where I live and I often pass it on my way back home from a walk. It dates back to around 1859 and is still located on its original plot of land, making it one of the oldest still-functioning pubs in Sydney. It was also one of the first local buildings to be connected by telephone at the turn of the century.

It’s a very distinctive building but I’d never actually taken a photo of it before, so I’m quite pleased with how it came out. I think shooting it at night really helps to capture the mood of the building and I like the blurred movements of the cars as well… they help to make the scene feel more alive.

A few people have asked previously why I didn’t edit out the power lines in the photo. Well, the simple answer is, I don’t like editing my photos extensively unless I have to. I have nothing against editing but I dislike changing the feel of a scene completely and in my opinion, I would have if I had removed the lines here. It also would have taken a lot of time that I don’t really have at the moment, which was a consideration as well.

Overall I see my role as a photographer, particularly with landscapes and architecture, less about capturing reality per se as trying to best convey a scene the way I saw it in my mind and there are many ways of doing that (from in-camera to post-processing and HDR) but I don’t see the point in changing something so much that the original scene becomes less recognisable – like changing the colour of a wall, for instance, or removing a feature that relates to the main subject. To me, editing the lines out here would have removed too much of the reality and story from the photo and made it less interesting. I know not everyone agrees but that’s my philosophy and I’m happy with the photo the way it is.

Photo and haiku © CJ Levinson 2012

The War Memorial at Dusk

Randwick War Memorial

A list of names,
All that survives
Of a sad past:
History repeats

I took this photo a couple of days ago while going for a quick walk, just before dusk. I often find myself wandering past the local war memorial on my afternoon walks… it’s the main feature of a small, peaceful park in the middle of Randwick and I often stop there for a few minutes to reflect and gather my thoughts.

The memorial is made of sandstone and was originally unveiled in 1925 by Lord Forster, the then Governor General of Australia, to honour the soldiers of the First World War; the cenotaph contains a scroll with the names of over four thousand local residents who served in the war. Over the years plaques have been added to remember the soldiers of the Second World War, Borneo and Vietnam as well.

With more of our soldiers wounded in Afghanistan recently and with the current events in Syria as well, I guess I was feeling rather contemplative when I took the photo… something about the dusk light seemed to reflect the way I was feeling and I think it shows in the mood of the photo, and the haiku as well.

Photo and haiku © CJ Levinson 2012